Mackie HD1521 2-way active PA speaker (800W RMS)

Mackie HD1521 2-way active PA speaker (800W RMS) Welcome to the world of high-definition live sound. The Mackie HD1521 2-Way High-Definition Powered Loudspeaker delivers class-leading power, unmatched clarity and extreme flexibility in a design that is understated, yet stunning. Class-D Fast Recovery(Trademark) amplification produces a ridiculous 1600W of peak system power. High-Definition Audio Processing incorporates next-generation Mackie ‘Active’ electronics and re-defines powered loudspeakers by implementing Mackie’s patented acoustic correction processing for an experience that is unrivaled in the world of portable powered PA systems. System tuning and custom transducer design by EAW ensures an optimized system that sounds great every time. The compact yet rugged, all-wood enclosure offers superior protection and a clean, unimposing look that will blend seamlessly into almost any environment. Mackie HD1521 2-Way High-Definition Powered Loudspeaker — Elevate Your Experience. FEATURES * 1600W of ultra-efficient Class-D Fast Recovery(Trademark) amplification - LF 700W RMS / 1400W peak - HF 100W RMS / 200W peak * High-definition audio processing: - Revolutionary patented acoustic correction - Transducer time alignment and phase correction - Precision 2-way crossover * Custom designed transducers by EAW - 15 inch neodymium woofer with 3 inch voice coil - 1.75 inch compression driver with heat-treated titanium diaphragm * User-adjustable 3-band contour EQ with sweepable mid-frequency * Ultra-compact and lightweight (80lbs) * Integrated limiting and protection circuitry * Rugged all wood cabinet (15mm birch plywood) * 12 integrated fly points for horizontal and vertical rigging * Stand / pole mountable MAXIMIZE YOUR OUTPUT The Mackie HD1521 incorporates the latest in Class-D amplifier technology to deliver a chest-pounding 1600W of peak system power. Both internal amps are designed using Mackie’s legendary Fast Recovery(Trademark) circuitry. Other amplifiers can ‘latch’ when pushed to clipping, leading to distorted audio, but Fast Recovery(Trademark) amplification reacts instantly to the occasional aggressive transient, drastically reducing the time it takes for the amp to recover, ensuring clean audio under the most demanding of situations. This potent bi-amplified system is the highest powered 2-way available in its class, providing a beefy 700W RMS low-frequency amplifier and a 100W RMS high-frequency amplifier that, when combined, can deliver a max SPL up to 135dB (calculated, measured maximum SPL of 125dB). DEFINE THE EXPERIENCE Mackie created the ‘Active’ electronics game long ago, incorporating precision crossovers and transducer time/phase alignment processing into the loudspeaker. This instantly took the guesswork out of setting up a perfectly tuned system and the world of loudspeakers irreversibly changed. HD Series High-Definition Powered Loudspeakers not only advance Active technology, they take it to an entirely new level, marking the next major advancement for powered loudspeakers: High-Definition Live Sound. Even the most expensive loudspeakers on the market have inherent sonic issues that arise from the very nature of loudspeaker design. Horn-loaded drivers tend to have a ‘honkiness’ to them and there are physical resonances in the upper range of cone drivers that can sound nasty. Introducing Mackie High-Definition Audio Processing. The key to high-definition live sound is the detailed measurement and analysis of the inherent problems of horns and woofers. After that, the creation and application of some seriously NASA-esque (and patented) acoustic correction algorithms work to correct these very issues. The resulting experience is not only high-definition, it is truly a moment of clarity for anyone within earshot. EAW INSIDE The Mackie HD1521 is a perfectly tuned system that is truly greater than the sum of its parts. This is only possible due to the hard work and insane genius of the engineering team over at Eastern Acoustic Works (EAW). Not only did they fine tune the system for complete optimization, they also custom-designed the transducers, ensuring maximum efficiency and performance. The high-end 15 inch neodymium woofer features a 3 inch voice coil and is built to handle the massive power delivered by the low-frequency amplifier. The magnet is made using neodymium, which provides a greater magnetic field with far less material. This makes the woofer extremely lightweight without sacrificing one bit of performance. And the large 3 inch voice-coil is built to handle and dissipate far more heat than traditional designs. The 1.75 inch compression driver brilliantly reproduces high-frequencies with a diaphragm made using heat-treated titanium. Heat-treating increases the rigidity of the diaphragm, eliminating nasty distortion that can occur due to inconsistencies on its surface. It also greatly increases the life of the driver, so you can count on stunning high-frequency production for years. TAILOR YOUR TONE For added flexibility, we have included a user-adjustable 3-band EQ on the rear panel of every HD Series loudspeaker. It’s not just a two-position EQ switch that can only bet set to ‘flat’ or ‘boost’, but a high-quality 3-band EQ with Hi and Lo shelving and a sweepable mid frequency, each with +/- 3dB of gain. This allows you to customize the loudspeakers for the task at hand. FIT AND FINISH We could’ve just jammed all these premium components into a flimsy enclosure, slapped on a flashy logo and some plastic end caps and called it a day. That’s what everyone else is doing. However, Mackie has long been dedicated to providing affordable gear that can go toe-to-toe with the most expensive gear on the market and the Mackie HD1521’s all-wood enclosure is no exception. The 15 mm thick birch plywood cabinets are extremely rugged, with substantial internal bracing and a coating of durable, textured black paint. A cold-rolled, powder-coated steel grill provides a sleek, modern look that is designed to blend into the environment. You can even turn off the trademark blue LED on the front of the speaker if stealth is your thing. A work of modern art? Maybe. Rugged and handsome? Absolutely. From backyard BBQs to the most professional install, the Mackie HD1521 can be integrated into any existing system thanks to a wide variety of placement options. Standard M10 eyebolts convert the Mackie HD1521 into a professionally flown system, with twelve integrated fly points for vertical or horizontal rigging. It is also pole mountable, either on a standard tripod or mounted over a subwoofer. And of course you can simply stack them on your subs or place them on stage. Whether stacked, pole-mounted or flown, you can count on the Mackie HD1521 to be stable and sturdy.

RME Fireface 400 firewire audio interface

RME Fireface 400 firewire audio interface RME's Fireface 800 revolutionized the world of FireWire audio interfaces. Now the revolution continues: The Fireface 400 is not just the little brother of the Fireface 800 - it is a completely newly designed device. It is the only device in its class with active jitter suppression, stand-alone functionality, complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. As usual, RME offer a host of sophisticated features and characteristics. These include: * Two digitally controlled Mic Preamps in high-end quality * Two balanced universal inputs for line and instrument signals * SteadyClock for maximum jitter suppression and clock refresh * Simple stand-alone operation with rotary encoder and front panel display * 54 Level Meter Peak/RMS, hardware-calculated * Full mobility by Bus Power support * DIGICheck, RME's unique meter and analysis tool * TotalMix: 648-channel mixer with 42-bit internal resolution The DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. A word clock input and output (BNC) plus two MIDI I/Os (breakout cable, 5-pin DIN) complete the analog/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. The Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. ANALOG I/O’s Eight inputs and outputs (balanced, output 7/8 unbalanced) with software controlled switching of the reference levels (-10 dBV, +4 dBu, Lo/HiGain), of course realized discretely in the analog domain, guarantee highest dynamic range and highest fidelity. The Fireface 400's front panel features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre amplification of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, exceptional EIN performance even at low pre-amplification settings, and extremely low THD+N let these preamps surpass those of other devices that cost several times the price of the Fireface 400. All level settings are 100% reproducible and can also be adjusted by software comfortably. Inputs 3 and 4 are extremely flexible balanced universal inputs. Firstly, they operate exactly as inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). Furthermore, the input impedance can be switched from Line (10 kOhm) to Instrument (470 kOhm). An additional analog input amplification of up to 18 dB (in steps of 0.5 dB) is also available. In short: There's no signal that these inputs can't deal with perfectly! Inputs 5 to 8 on the rear feature RME's proven level references. -10 dBV, +4 dBu und LoGain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu und +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The high power phones output offers high volumes even with low-impedance headphones, and represents playback channels 7/8. All outputs can be used for ASIO Direct Monitoring purposes. DIGITAL I/O’s An ADAT optical I/O allows for a connection and insertion of effects devices, mixing consoles or external converters. Of course, these 8 channels are available simultaneously with the analog channels. Using an additional ADI-8 DS or OctaMic D, you'll get 16 analog inputs and outputs, which remain still 12 at 96 kHz. The coaxial SPDIF I/O , which is fully AES/EBU compatible (as is common for RME), also works up to 192 kHz, which means that at the highest sample rate, 8 analog and two digital inputs and outputs are directly available. SPDIF can also be accessed through the optical I/O, which also works up to 192k - a world exclusive RME feature. FEATURES Thanks to an internal flash memory, all settings including TotalMix are recalled during boot. The device can thus be configured and used as a stand-alone device, without being connected to a computer, e.g. as a submixer, A/D and D/A-converter, headphone mixer, format converter, instrument or microphone pre-amplifier, monitoring mixer and much more. The Fireface 400 is equipped with SteadyClock(Trademark), RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. SteadyClock refreshes clock signals, removes jitter, and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality. SteadyClock allows the unit to control the sample rate freely on its own. The Settings dialog includes a direct choice of the video and audio world's most often used sample rates. Additionally, two faders can be used to set the sample rate freely and in real-time, within the range of +/- 4% and +/- 0.4%. Fireface 400 uses RME's own FireWire techology, heavily optimized for audio purposes (RME is the only manufacturer not to use a third party FireWire audio technology). Minimum overhead, special hardware adaptations, and a new low-latency buffer concept allow a performance and compatibility considered impossible for FireWire audio until now. This includes changing latency in mid-operation, latencies down to one ms, or an immediate reaction to changes of the sample rate. Further optimizations and additional features can be added at any time by Flash Updates. Of course the Fireface 400 offers a second FireWire port for hub functionality. Several devices can be connected to one FireWire interface and operated in parallel. The renowned Fireface 800 shares the same driver, allowing mixed setups. TECHNICAL SPECIFICATIONS Input AD: 6 x 1/4 inch TRS (4 x Line, 2 x Line/Instrument), 2 x XLR/TRS Combo connector (2 x Mic/Line) all servo-balanced. Output DA: 6 x 1/4 inch TRS, servo-balanced, DC-coupled signal path. 1 x 1/4 inch TRS unbalanced Input Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) Output Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) MIDI: 2 x MIDI I/O via breakoutcable (4 x 5-pin DIN jacks), for 32 channels low jitter hi-speed MIDI Dynamic range AD: 110 dB RMS unweighted, 113 dBA THD AD: < -100 dB (< 0.001 %) THD+N AD: < -98 dB (< 0.0012 %) Crosstalk AD: - 110 dB Dynamic range DA: 110 dB RMS unweighted, 113 dBA (unmuted) THD DA: -100 dB (0.001 %) THD+N DA: -96 dB (0.0015 %) Crosstalk DA: - 110 dB Input/Output level for 0 dBFS @ Hi Gain: +19 dBu Input/Output level for 0 dBFS @ +4 dBu: +13 dBu Input/Output level for 0 dBFS @ -10 dBV: +2 dBV Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz Sample rate externally: 28 kHz - 200 kHz Frequency response AD/DA, -0.1 dB: 5 Hz - 20.4 kHz (sf 44.1 kHz) Frequency response AD/DA, -0.5 dB: 1 Hz - 43.3 kHz (sf 96 kHz) Frequency response AD/DA, -1 dB: 1 Hz - 80 kHz (sf 192 kHz) Driver support Windows 2000 SP4, Windows XP/XP64: Full ASIO multi-client operation of WDM, MME (not XP64), GSIF 2.0 and ASIO 2.0. WDM (DirectSound) with stereo and multi-channel support. Full hot-plugging. Up to 3 units operational. Mac OS X (10.3. or up) and x86: Core Audio, Core MIDI. Since 10.4 (Tiger) up to 3 units operational.

RCF ART 902AS 12 inch active PA subwoofer (1000W, single)

RCF ART 902AS 12 inch active PA subwoofer (1000W, single) Need a powerful bass enhanced system that won’t completely fill your van? The ART 902-AS active subwoofer is what you’re looking for. Thanks to the newly designed 12 inch high power neodymium woofer it delivers granite like bass punch for any kind of application in a compact and easy to transport enclosure. The cabinet is made in Baltic Birch and heavy duty painted to withstand the life on the road. Features * High current 1000 W digital amplifier * 130 dB max SPL * 12 inch high power woofer, 3 inch copper coil * Xover 80-120 Hz switch, phase switch * Electronic equalization, limiter and protection * Mono/stereo XLR/Jack combo input * Mono/stereo XLR signal output SPECIFICATIONS Frequency response : 45 - 120 Hz Max SPL : 130 dB Woofer : 12 INPUT SECTION Input connector : Stereo XLR/Jack combo Output signal connector : Stereo XLR PROCESSOR SECTION Crossover frequencies : 80 - 120 Hz AMPLIFIER Nominal power : 1000 W Low frequencies : 1000 W PHYSICAL SPECIFICATIONS Height : 515 mm Width : 410 mm Depth : 550 mm Weight : 29.6 Kg Handles : 2 side aluminium handles with rubber handgrip

QSC KW122 12 inch active 2 way PA speaker

QSC KW122 12 inch active 2 way PA speaker Building on the success of the K Series, the KW Series represents the next evolutionary step in wood enclosure loudspeakers. Our system engineers have created the KW Series to feature all the groundbreaking electronic attributes of the popular K Series while at the same time designing a product that is both smaller and significantly lighter than previous wood enclosure models. Features * K Series performance in a lightweight, birch design * 1000 watt Class D power modules in all models (2 x 500 W) * Extensive DSP featuring DEEP™ and Intrinsic Correction™ enhances system performance * DMT™ (Directivity Matched Transition) ensures uniform coverage across the entire sound field * Rugged, texture-painted birch enclosures * Four-position Mic/Line gain (full-range models) * Tour-grade 16 gauge steel grilles * Comfortable ergonomic handles * 35 mm pole sockets with Tilt-Direct™ * M10 rigging points for suspended installation * Also functions as stage monitor High Output Like the K Series, the KW122 features a QSC designed, 1000 watt (2 x 500) Class D power module. And continuing in the K Series tradition, it’s fitted with the identical high-output 1.75-inch HF device and a woofer of the same high quality design, regardless of speaker size. Defined Coverage Area Directivity Matched Transition (DMT™) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural ‘dead’ or ‘hot’ frequency zones. DSP Extensive signal processing is employed throughout, providing levels of sonic clarity and total output that defy all expectations for a product in this category: * Intrinsic Correction™, first featured in our high-end line array products maps 65-75 spatially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. * DEEP™ and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. * GuardRail™ protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping. Connectivity The KW122 features a four-position mic / line gain switch that allows for connection of a wide variety of devices. Combo XLR and 1/4-inch TRS inputs accept both mic and line level input while a set of RCA phono inputs allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for ‘daisy-chaining’ of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. Control On-board switches provide preset EQ settings. The HF setting can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP™ for additional bass extension, or EXT SUB (full-range models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. Tilt-Direct™ The KW122 features a unique Tilt-Direct™ pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Remote Gain Remote gain control capability is offered via a potentiometer (not included) connected to the on-board Phoenix-Style connector. In an installed application, multiple KW Series speakers can be ‘daisy-chained’ for total gain control from a single remote pot. Auto-standby mode is engaged after 5 minutes of inactivity. Premium-grade materials The KW Series is designed to withstand the rigours of professional use. Advanced construction processes, premium-grade Baltic birch cabinetry, ergonomic, cast aluminium handles and a highly protective steel grille provide for ease of transport and long term durability. Integrated M10 suspension points allow for flown applications with a KW M10 KIT (sold separately). Specifications Configuration * 12 inch 2-way multipurpose Transducers * Low-frequency: 12 inch cone transducer * High-frequency: 1.75 inch diaphragm compression driver Frequency Response (-6 dB) * 53 Hz - 18 kHz Frequency Range (-10 dB) * 50 Hz - 20 kHz Nominal Coverage (-6 dB) * 75° axisymmetric Maximum SPL (1 meter) * 131 dB peak Amplifier * 1000 W Class D (500 W LF, 500 W HF) continuous. 2000 W Peak Dimensions * 26 x 15 x 15.4 inches * 660 x 381 x 391 mm Weight * 49 lb / 22.2 Kg

Roland BA-55 Portable PA system

Roland BA-55 Portable PA system The unique BA-55 provides self-contained high-quality and battery-powered sound reinforcement for any environment. Its solidly built yet lightweight and comes bundled with a matching wireless microphone for public speaking singing and many other events. Use the BA-55 as a small wireless PA system in school classrooms business meetings restaurants weddings intimate music venues and more. In a cool and convenient twist the BA-55 contains an internal accelerometer sensor that automatically switches operation between stereo output (when positioned horizontally) and mono output (when positioned vertically). If you?re speaking and need maximum power and projection use the vertical mono mode. For wide musical spread turn horizontal. It?s that easy! The BA-55 is available in two colour choices black (BA-55) or white (BA-55-WH). Choose one of these classic colours to blend best with your surroundings.

10″ Portable PA System with iPod Dock by Gear4music

10 a fantastically versatile portable battery powered live solution with inputs for mic instrument CD / tape and an iPod Dock! A 10" speaker delivers 50W peak output. Comes complete with microphone and cable.50W Rechargeable PA system with IPod dock by Gear4music

Alto Rmx508dfx Power Mixer Empire

Alto Rmx508dfx Power Mixer Empire ALTO Empire RMX508DFX Power Mixer

Fostex FM-3 Field Mixer

Fostex FM-3 Field Mixer The rugged FM-3 Portable Mixer is equipped with balanced 3ch input and 2ch main output each featuring individual high quality signal transformers plus it offers a wide variety of sub outputs.

QSC KW152 Active PA Speaker 1000 Watt

QSC KW152 Active PA Speaker 1000 Watt Building on the success of the K Series the KW Series represents the next evolutionary step in wood enclosure loudspeakers. QSCs system engineers have created the KW Series to feature all the groundbreaking electronic attributes of the popular K Series while at the same time designing a product that is both smaller and significantly lighter than previous wood enclosure models.

Gemini CTRL-SIX USB DJ controller with audio IO

Gemini CTRL-SIX USB DJ controller with audio IO Since the advent of the 'laptop revolution' in the DJ realm, DJs have had to struggle to find a controller to work with the DJ software that gives them the feel of their traditional decks and turntables. Gemini set out to make a controller just for DJs, giving them a familiar interface along with their favourite playback, mixer, and song-shaping tools. The Gemini CTRL-SIX features 2 individual mixing channels with 2 large touch-sensitive jog wheels for scratching, cueing, and other assignable parameters. It is switchable between USB bus-power or a DC adapter, giving DJs control over their power option. All-in-all, the CTRL-SIX is both easy-to-use for a beginner, as well as powerful and customisable for the seasoned digital DJ. The CTRL-SIX also features as a built-in audio interface and all the jacks you need to slide comfortably in to any setting. It has two-channel switchable line/phono inputs (w/ground screw) with Rec, Master, and Booth RCA outputs. It also features a balanced XLR output, 1/4 inch and 1/8 inch (3.5mm) headphone outputs with volume control and XLR and 1/4 inch microphone inputs also with volume control. A version of the popular VIRTUALDJ software is included with both units. VirtualDJ is the hottest AUDIO and VIDEO mixing software, targeting DJs from the bedroom, mobile and professional superstars. With VirtualDJ's breakthrough BeatLock engine songs will always stay in beat, which lets DJ's work their mixes faster than ever before. The automatic seamless loop engine and synchronised sampler lets the DJ perform astounding remixes live, with no preparation at all. The visual representation and the cues allow a DJ to clearly see the song structure and never be surprised by a break. Dimensions and Weight * 1.8 kg / 4 lbs * 360 x 260 x 45 mm / 14.17 x 10.23 x 1.77 inches