Slate Digital Virtual Console Collection (requires iLok 2)

Slate Digital Virtual Console Collection (requires iLok 2) The Slate Digital VIRTUAL CONSOLE COLLECTION brings the sound of 4 of the world's top analog consoles into your DAW workstation. 'Slate Digital CTO Fabrice Gabriel and I studied these consoles inside and out. We meticulously modeled the entire circuit path so that we could recreate every subtle nuance that makes these consoles the legends that they are', says Slate. Slate Digital VIRTUAL CONSOLE COLLECTION Features * Brings the sound of 4 legendary analog consoles to your DAW * Models all characteristics of both the channels and the analog summing * Mix and match consoles * Mac Intel RTAS, AU, VST (32bit) * Windows VST (32bit) The VIRTUAL CONSOLE COLLECTION consists of two plugins, Virtual Channel and Virtual Mixbuss. Each plugin allows the user to choose from one of four modeled consoles. Virtual Channel is applied on individual mixing channels. Virtual Mixbuss goes on the first insert of the master fader. 'When using the Virtual Console Collection, your DAW instantly takes on the personality of a real analog mixing desk. The imaging and depth improves, instruments sit better in the frequency spectrum, and mixing becomes easier and more musical. You can even push the DAW faders up to find each mixer's sweet spot', says Slate.

Yamaha StagePas 300 Portable PA System

Yamaha StagePas 300 Portable PA System Live Sound Has Never Been Easier! This extraordinarily portable PA system has 8 channel (including 4 microphone) inputs and delivers a very respectable 300 watts of high-quality power to the supplied pair of compact speakers.No matter where your music leads Yamahas new STAGEPAS 300 Portable PA system has the power and portability to go with you.

RCF SUB 718-AS 18 inch Bandpass Active Subwoofer, 700W

RCF SUB 718-AS 18 inch Bandpass Active Subwoofer, 700W The SUB 718-AS is a compact and powerful subwoofer. Thanks to the powerful 18 inch woofer with 4 inch voice coil and a 700 W Digipro amplifier, the SUB 718-AS is the perfect tool to increase the low end performance of a portable PA system, both in terms of output and frequency extension. Features * 700 Watt digital amplification * 132 dB max spl * 18 inch High power woofer, 4 inch voice coil * Xover selector, phase switch and high pass outputs * Electronic equalization, soft limiter and protection * Stereo XLR/Jack combo input, Stereo XLR signal output

M-Audio ProFire 2626 Audio Interface

M-Audio ProFire 2626 Audio Interface M-Audio ProFire 2626 Firewire Audio Interface brings next-generation performance to your PC or Mac host-based recording system. This powerful interface delivers 26 x 26 simultaneous I/O complete with an onboard DSP mixer sourced from up to 52 audio streams

LD Systems LAX-12D 12-channel Mixer with Effects

LD Systems LAX-12D 12-channel Mixer with Effects The LD Systems LAX series mixers have a natural sound with outstanding parameters and optimal user-friendliness as well as maximum dependability in day-to-day operation on the road. This makes them the perfect affordable solution for a broad range of applications. Whether live on stage home/project recording or installations of all kinds such as community centers churches and bars/bistros the LAX series offers the right solution for many applications. Continuous on-site quality control according to ISO9001 ensures high dependability and high quality.

SAMSON XP308I PORTABLE PA SYSTEM

SAMSON XP308I PORTABLE PA SYSTEM Samson XP308i PA system

Behringer Xenyx XL3200 32 Channel Mixer

Behringer Xenyx XL3200 32 Channel Mixer The Behringer XL3200 Premium 32-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs is an ultra-low noise high-headroom analog mixer for live front-of-house monitor corporate and touring audio applications.

Mackie SRM350v2 active PA speaker (black)

Mackie SRM350v2 active PA speaker (black) Ultra-Compact Live Sound Powerhouse Sharing the same new technology that makes the SRM450v2 the breakthrough live performance powerhouse that it is, the ultra-compact SRM350v2 is perfect for when space is at a premium. The SRM350v2 whips live sound into complete submission, giving you more control over your shows than ever. Thanks to its all-new design-from adding new amps and transducers to a new switching power supply-the SRM350v2 surpasses the performance of the original SRM350 to deliver pure studio monitor sound at more powerful, full-on loudspeaker levels. It’s even more lightweight than before, making it ultra-portable. We kept it ultra-affordable, too-even though the SRM350v2 is a complete redesign from inside out, we retained the musician-friendly price tag. With the SRM350v2, live never sounded so good ...or behaved so well. The ‘SRM’ Stands for Sound Reinforcement Monitor Over a decade ago, Greg Mackie and a dedicated team of engineers set out to create a portable loudspeaker that could deliver studio monitor sound quality. Unlike a relatively small, acoustically controlled studio where the ‘sweet spot’ is well defined, live venues vary greatly, and most are far from acoustically balanced. Despite the challenges, after two years of extensive research and development, the first Sound Reinforcement Monitor was born-a loudspeaker that truly lived up to its name. The SRM350v2 continues the SRM350’s tradition of studio monitor sound quality-and trumps it-to deliver sound that makes any venue seem like a well-tuned studio. Ultra-Wide Dispersion Undoubtedly you’ve been to a show where the sound is all over the map-stand in front of the band, it sounds okay, but move a little to your left or right and all of a sudden you’ve got mud in your ears. When the SRM350v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition-at full-on loudspeaker levels. This is due to the SRM350v2’s wide dispersion pattern, which is achieved through its High Frequency waveguide. Professional Grade Transducers The SRM350v2 has sounds even better than the original, in part, because of it’s premium transducers. The new 10-in neodymium woofer has less mass and quicker response providing incredibly punchy response from such a small loudspeaker. Not to mention it is much lighter than a traditional ceramic magnet based transducer. Additionally, it’s titanium compression driver provides sparkle and clarity beyond the original design keeping it’s characteristic sound in-line with it’s big brother, the SRM450v2. The acoustic gurus out at EAW spent months and months tweaking these custom designed transducers so that the SRM350v2 would deliver the best sound possible in a small format box. Super low distortion thanks to Mackie’s own Class-D, Fast Recovery Amplification With its combination of Class D topology and Fast Recovery circuitry, the SRM350v2 operates with incredible efficiency, and delivers much more power and clarity. With this ‘Class D Fast Recovery amplification,’ as we’ve lovingly (and creatively) dubbed the technology, the SRM350v2 handles maximum volume-and associated heat-with ease, so there’s no unwanted noise, and no thermal problems. Even after hours of sustained use at near-peak levels, your sound remains clean and your SRM350v2 keeps cool. Legendary Active Electronics In a passive loudspeaker setup, an external amplifier is connected to a passive crossover inside the speaker, which distributes frequencies to the transducers. Because power amps and transducers vary widely in sound and quality, trying to match the right power amp with the right speaker can be challenging, especially if you’re not a professional acoustic technician-or rolling in cash so you can hire one. Our proven Active design does all the work for you. With our SRM350v2, you get a complete loudspeaker system, with complex electronics and carefully chosen components, all precisely tuned and tweaked to work together. The result is a loudspeaker with phenomenal sound quality and power, that’s completely plug-and-play-no EQ needed. Built-in Protection Circuitry for Long Life We know our Active loudspeakers are pushed hard-often to, or beyond, the limit. That’s why we have reliable protection circuitry built in to every one. The SRM350v2 employs a built-in limiter for less distortion at peak levels. And thanks to the advanced technology of its power supply and Class-D amp topology, the SRM350v2 is greater than 90 percent efficient-more of the power from your outlet goes straight to the transducer, without the power supply and amp giving off loads of heat. Less heat means better performance, and longer life. Versatile, Portable, Tough—And They Look Good, Too When designing the SRM350v2, we considered every angle. From every angle is just how you can position it, too-pole-mount it from the bottom, fly it vertically or horizontally via its optional hanging bracket, or use it as a wedge monitor. With all this flexibility, it’s the most versatile portable Active loudspeaker around. And now moving it into place is easier than ever. Weighing in at just 26 pounds-now that’s light! You’ll have more than enough strength left over to deliver an electrifying performance after loading in. Plus, the SRM350v2 retains its rugged, Mackie ‘built-like-a-tank’ durability, thanks to the polypropylene cabinet-now in a tasty hue of Midnight Blue. So not only do you get a portable loudspeaker that sounds phenomenal, you get one that’s tough and portable for the road, and handsome enough for the show. Features * 2-way bi-amplified, optimized Active loudspeaker system * High-output, titanium dome compression driver * 10-in Neodymium long-throw low frequency transducer * 165W class-D, Fast Recovery LF amp / 30W HF amp * Ultra-wide, smooth dispersion via HF waveguide * Built-in phase accurate 24dB Linkwitz-Riley electronic crossover * Electronic time correction, phase alignment and EQ for studio quality sound * Mic/line input and pass-thru connector * Lightweight for ultimate portability (26 lbs) * Flyable, Pole mountable, Floor wedge-able

Mackie C300Z passive PA speaker (Black)

Mackie C300Z passive PA speaker (Black) Are you looking for renowned Mackie sound quality in a portable, lightweight package but you've already invested beaucoups cash on pro-level power amps? Want to instantly upgrade the sound of your existing powered mixer or amplifier without breaking the bank? Good news for you, because our C300z 2-Way Portable Passive Loudspeakers put the superior clarity, wide dispersion, and legendary ergonomics of the SRM Series within reach of any serious musician, DJ, or small club. These compact-yet-loud speakers can be pole-mounted for use as a small full-range PA system, combined with subwoofers as needed, and even employed as high-quality passive floor monitors. PRECISION TUNED BY THE SPEAKER BRAINS AT EAW The new C Series passive Loudspeakers represent Mackie's first lightweight passive speakers tuned exclusively by the EAW loudspeaker engineering team. We're talking about the same team with more than 25 years of high-output loudspeaker expertise, having created loudspeaker systems for critical applications as diverse as the Super Bowl, Iron Maiden, and the Pope. And although loudspeakers for these mega-systems cost exponentially more than the stalwart C300z, many of the same concepts applied, namely: designing custom 12-in LF drivers with a frequency range from 50 Hz - 3000 Hz and a 3-in voice coil that can take a pounding. And a 1.75-in High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical 1000 Hz - 20,000 Hz upper mid-range and high frequencies. CROSSOVERS TUNED TO PERFECTION Tuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels. ULTRA-WIDE DISPERSION Ever been to a show where the music sounds great in front, but craps out once you get to the back or sides of the room? We have, and that's why we gave the C300z a multi-cell horn throat aperture. Sure, it's hard to say, but what it does is allow for much wider and more even dispersion of high and mid frequencies—so the wallflowers get the same great listening experience as those up front. BETTER THAN YOUR AVERAGE BOX Anyone with a factory can build a box and stick some speakers in it (and that's just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The C300z enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonance's to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing. SUPERB FLOOR MONITOR A good floor monitor plays loudly without generating feedback through vocal microphones. A poor floor monitor, on the other hand, will generate feedback just about the time you turn it up to a useable level. Floor monitor feedback is often caused by uneven frequency response and dispersion, some frequencies arrive at the microphone much louder than others. These ‘spikes’ are what trigger feedback as the floor monitor volume is increased. The C300z has incredibly smooth, spike-free response and dispersion over a wide range of treble frequencies. So you can increase its volume without boosting those nasty, feedback-inducing spikes. Without extensive tuning, no passive speaker or specialized floor wedge in this class can even come close. Features * Portable Precision Passive loudspeaker with 1.75-in HF compression driver and 12-in LF transducer * HF compression driver mounted on a multi-celled aperture, with a constant directivity horn for room-wide 90° x 45° dispersion * Precise reproduction of critical upper mid-range and high frequencies * Tough, impact-resistant enclosure with sturdy handles, pole-mount, and integrated rigging points * Designed for optimum performance with Mackie powered mixers and power amplifiers * 750W peak power handling * Three setup configurations: pole mount, flyable and wedge * Passive version of the best-selling SRM450

Yamaha StagePas 300 PA System Carry Case

Yamaha StagePas 300 PA System Carry Case Rolling carry case for the Stagepas 300 portable PA systemPA available separately.